A Love Letter to Time
A review of John Crowley’s We Live in Time (2024)
Film + TV
Age, Abjection and Angles in The Substance
Coralie Fargeat and the feminine implications of body horror
Massimadi 2024: Rebirth and Resilience
A festival review and interview with Massimadi’s Naomie Caron
A Return to Murderous Lesbians
A review of Love Lies Bleeding
The Anatomy of Anatomy of a Fall
Justine Triet’s courtroom drama throws convention out the window
Donna-Michelle St. Bernard’s Diggers Is an Ode to the Unsung
A review of Black Theatre Workshop’s latest play
The Oscars Have Failed. Again.
Well folks, it happened again. Instead of taking the opportunity to include the subversive and diverse films 2023 offered us, the Academy of Motion Picture… Read More »The Oscars Have Failed. Again.
2023 Female Directors Wrapped
A pivotal year for women behind the camera
What You Missed In Saltburn
A second look at Saltburn’s characters and imagery
Farewell My Concubine Turns 30
Chen Kaige’s award-winning film sees a resurgence in local cinemas
Five Thrilling LGBTQ+ Horror Films
Scary good Halloween movies to round out Queer History Month
Sex Education’s Academic Utopia
Cavendish College is not as perfect as it claims to be
Bottoms on Top
How Emma Seligman revamps the vulgar teen comedy genre
Part of Whose World?
Historical revisionism in Disney’s The Little Mermaid (2023)
Venice and Telluride and Toronto, Oh My!
Will Hollywood labour strikes affect the film festival circuit?