Latest
Cosying up to Craig Cardiff
Pamela Fillion • February 20, 2009
Canadian singer-songwriter takes an unconventional approach to performing Read More
Genuine exposures
Ryan Healey • February 19, 2009
Terence Burns’ portraits aim to capture authors in their natural setting Read More
Hands off!
admin • February 19, 2009
Speakers at McGill stress our right to take control of our bodies Read More
Where weird punk blooms
admin • February 19, 2009
Braving strangers’ sweat and subliminal messaging at Montreal Knows No Wave Read More
Don’t let a good crisis go to waste
admin • February 19, 2009
Peter Victor’s vision for a more sane economy Read More
More than just a specimen
Camille Holden • February 16, 2009
Diane Obomsawin illustrates the mysterious case of Kaspar Hauser with child-like sensitivity Read More
Bursting the bubble: Where everyone knows your name
Nicolas Boisvert-Novak • February 16, 2009
Thinking twice about the Outremont microcosm Read More
Love and heartbreak in Elizabethean England
Ryan Mackellar • February 16, 2009
The Savoy Society’s Yeomen of the Guard expertly melds music and words Read More
Does blood determine belonging?
Pamela Fillion • February 12, 2009
Tracey Deer’s Club Native reflects on Mohawk identity Read More
Environmentalism, as told by octopi
admin • February 12, 2009
Though naive, George Ter-Stepanian’s 1989 sci-fi novel was ahead of its time Read More
Uncovering Canada’s history of slavery
admin • February 12, 2009
Author Lawrence Hill talks about identity, language, and the experience of the black loyalist Read More
Comedy stripped down
admin • February 12, 2009
DeAnne Smith’s self-deprecating comic burlesque show bares all Read More
Culture Brief: Dancing in the psych ward
Amelia Schonbek • February 12, 2009
When Montreal-based contemporary dance company O Vertigo first premiered La Chambre Blanche in 1992, the work was met with instant critical success and toured worldwide. Last year, choreographer Ginette Laurin, O Vertigo’s founder and Artistic Director, decided to bring the piece back, but first overhauled the original before bringing it… Read More
Not the same old V-Day
Aaron Vansintjan • February 12, 2009
Critical approach behind McGill’s 2009 production enhances its relevance Read More