Je suis une révolution
Pol Pelletier and the state of Quebec’s feminist theatre
Culture
Narcy – World War Free Now
Iraqi-Canadian artist blends genres with new album
CFCF – Radiance and Submission
Montreal producer paints ephemeral soundscapes with third album
An alternative POP guide
The best of POP Montreal’s least-known acts and activities
A night of representational comedy
Ladyfest Montreal carves out a space for women comics
Who to see at OAP, week two
Week two’s must-see acts
Cycling for change
Songwriter Derek Olive talks folk-pop and environmentalism
KROY plays Passovah
Poliquin’s solo project entrances festival audience
Not my pride
The commercialization of queer culture
Fringe, the eternal teenager, turns 25
A look back at the St-Ambroise festival’s beginnings
Orphan Black: Season 3 Reviewed
Warning: this article has almost as many spoilers as Orphan Black has clones.
Who to see at OAP
Week one’s must-see acts
Lover, fighter, and artist on the rise
McGill artist Jonathan Emile on his new LP
On the (inevitable) death of queercore as punk
Lamenting the co-option of punk’s black sheep
Of costume and conflict
Restaging colonial (art) history